Category Archive: Why I’m a SAMA Member

Members share why they LOVE being a SAMA member!

Why I’m a SAMA Member :: Margo Anton

Extroverted Tesserae Hound Seeks Like Minded Individuals

by Margo Anton, Edmonton, Canada www.minervamosaics.com

I came to mosaics just over a decade ago, and as an avid web surfer, I quickly happened upon Mosaic Artists Org, a Yahoo group forum devoted to all things mosaic.  In Canada, where I’m from, mosaic is not a particularly well-known medium.  I was working mainly in isolation, self-taught, ordering supplies unseen from the Internet.  Opportunities for classes were not available at the levels I wanted.

Within the forum, I learned about the Society of American Mosaic Artists and the conferences they held.  I desperately yearned to go the 2004 conference in San Francisco, but was unable. As forum members began posting their pictures from the event, I vowed I would make it happen the following year.

My first conference in 2005 was the start of a whole new world for me.  Here were all these people, in the flesh, who loved to do the same thing I loved, others who understood the joy of the painstakingly slow build up of the tesserae.  Heck, I was just happy to be around people who knew the word “tesserae”!

Margo Anton in her studio

Margo Anton in her studio

I’m looking forward to attending my 8th conference and much has happened in the years between my first and today.  I am now a working mosaic professional, teaching workshops around the world as well as producing mosaic wall panels, mosaic jewelry, and assorted commissions. I teach at the SAMA conferences, and am usually a vendor at the Vendor Marketplace as well.  SAMA opens many doors of opportunity for the passionate and interested. With all my involvement in the conferences these days, they pass by in a crazy blur, fueled by adrenaline and red wine.

Even if these “professional” opportunities were removed, I’d still come back again and again.  The people I have come to know, the conversations we’ve had, not only about mosaics but about life, keep me coming back.  My favorite people–and some of my best friends—are always there.  At the conference, I get to really be me, not a wife, sister, daughter, but just me, Margo Anton.  SAMA conferences act as a gas station of sorts for me, refueling my creative spirit for another year.  The conference reminds me of why I do what I do, especially since sometimes it seems it would be a great deal easier working a 9 to 5 job than trying to make a living in an obscure art form.

So where will I be this year in mid April?  Well, I’ll be in Tacoma at the American Mosaic Summit, of course.  I’ll be the blonde at the hotel lounge with a glass of red wine in hand.  Come say hi, because meeting other like-minded tesserae hounds is my favorite thing.

Margo lives in Edmonton, Canada, and works and teaches in her studio behind her house. When she isn’t traveling, she likes to chill with her husband and her dog. Her work can be seen at www.minervamosaics.com 

Margo Anton, The Big Bang, 2011, glass, dichroic glass, marble, quartz, silver wire, mosaic gold, smalti, bismuth, copper, carbon, iron, galena, stone, mirror, pyrite, carborundum

Margo Anton, The Big Bang, 2011, glass, dichroic glass, marble, quartz, silver wire, mosaic gold, smalti, bismuth, copper, carbon, iron, galena, stone, mirror, pyrite, carborundum

Swirl Pendant, Margo Anton, 2012, 45mm diameter, Mosaic gold, freshwater pearl set in sterling silver Photographer: Margo Anton

Swirl Pendant, Margo Anton, 2012, 45mm diameter, Mosaic gold, freshwater pearl set in sterling silver
Photographer: Margo Anton

Permanent link to this article: http://www.americanmosaics.org/wp/index.php/?p=3935

Why I’m a SAMA Member :: Jacki Sowers

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Counting the Ways

by Jacki Sowers, Midlothian, VA

Believe it or not, there are still people who have no idea what a “mosaic” is!  Occasionally people ask me what I “do”, and when I answer, “I am a mosaicist”, I see a quizzical look come over their faces. I tell them I make mosaics, and they ask what mosaics are.  Probably even more people wonder, but are too timid or embarrassed to ask.  SAMA wants to make sure such questions become a thing of the past.  Promoting the art of mosaic, be it classical or modern, and those who create these works….that’s what SAMA does.

Life before SAMA…. I have created, in one form or another, for as long as I can remember….sewing and needlework, paper-making, hand-building with clay, writing, stained glass, and  a welding class. I even tried wheel-thrown pottery.  I was lousy at that….too impatient, I was told by my instructor, as a blob of very wet clay flew off my wheel, sailing across the studio and ending with a splat on the floor!  Nothing fit. Then one Sunday, browsing through books at Barnes & Noble, I opened a book called Making Bits and Pieces Mosaics, by Marlene Hurley Marshall.  She featured an oval Victorian parlor table, done in what she called “pique assiette” style.  I wasn’t sure what that meant, but it was fun to say, and I wanted that table!  I persuaded my husband to make the table base for me (he did a great job, too!), then I started shopping for dishes to break, figurines, ceramic flowers, glass tiles….all sorts of fun materials!  Looking back at pictures of that table, I shudder, but I did it…. and I was hooked!  I wanted to mosaic my whole world!

I read every book I could find about mosaics, joined several online groups, and eventually learned of an organization called the “Society of American Mosaic Artists”.  Life has not been the same for me since!

Counting reasons why I am a SAMA member would put Elizabeth Barrett Browning’s “how do I love thee?”- counting to shame!

SAMA members are a family.  It’s as simple as that.  We support each other, encourage each other, and share our passion for the art of mosaic.   I don’t think I have ever been a part of any group as dedicated or as generous as the SAMA organization.  From “those in charge” (thanks, Dawnmarie and Chris!) to the elected Officers, to the volunteers….there is such a strong bond uniting each and every member of the group.  They all work so hard for us!

My first SAMA experience was the Conference in Mesa.  I didn’t know what to expect.  I didn’t consider myself “an artist”, as I had never studied mosaics and I wondered if I would even fit in. I was completely “star-struck” as I walked into the hotel that first evening and saw so many names and faces come together, people I had read about in mosaic books.  Would they be aloof, cliquish?  Would they even acknowledge a newbie?  Should I even be there?  Unfounded worries!  Acquaintances were made and some true friendships evolved.  All the while, I became addicted to taking workshops taught by highly respected professionals, buying yummy materials and the newest tools at the Vendor Marketplace, and seeing the best-of-the-best work exhibited.  Factor into that equation having fun, and there isn’t much left to ask for!

By the next year, in Miami, I was more comfortable with such a large, diverse-yet-bonded group, and I wanted to do more, so I volunteered to work at a few events.  This has become one of my favorite parts of the SAMA Conference experience!  It helps SAMA, and it helps me.  I like that!

OK, Elizabeth B. Browning….let’s add to the list!  SAMA members are giving people, both with their time and their talent.  Instructors love what they do so much that they share their knowledge with us, in fantastic workshops, seminars, and presentations. Vendors generously donate materials to the “goody bags” we receive at Registration, to the Mosaic Marathon, and to the annual Raffle.  I actually WON the grand prize, at the Miami Conference – a fabulous workshop at Perdomo’s Mosaics in Mexico in Cuernavaca!

The Mosaic Marathon not only results in a beautiful piece of art being installed in the city in which the Conference is held, but it is a great gathering experience for those working together on the mosaic.  It is a time to reconnect with old friends, and meet new ones, a time for camaraderie.

SAMA honors one worthy mosaic artist every year with the Robin Brett Scholarship, a chance to further advance his/her art through study.

Sure, it’s possible to learn mosaic basics just by reading books, but why would anyone want to settle for just that?  SAMA membership offers many opportunities to learn from “the best-of-the-best”, enhancing not only mosaic skills but providing lifetime memories of wonderful, fun-filled get-togethers. Attending SAMA Conferences is the high point of my year.  Thank you, SAMA!

Jacki Sowers

Jacki Sowers

Jacki Sowers

Jacki Sowers

Jacki Sowers

Jacki Sowers

Permanent link to this article: http://www.americanmosaics.org/wp/index.php/?p=3713

Why I’m a SAMA Member :: Jenny Perry

Like Coming Home

by Jenny Perry, Frederick, Oklahoma, JennyPerry.com

"In Disguise" by Jenny Perry

“In Disguise”, 8″ x 8″, Mexican smalti, 2011
by Jenny Perry

I came to SAMA, like many others, by route of a Sonia King workshop.  My first conference was San Francisco 2004 and it opened up a whole new world for me. Here was a place full of other people whose brains thought in tesserae just like mine did.  Here there was an entire gallery full of mosaics!  Here were the artists whose work I had admired in books!  I was immediately hooked and I’ve been to every conference since.

 

That first year holds a lot of memories for me.  Dinners and art discussions with my new Southern girlfriends, riding in the elevator next to Lucio Orsoni (he was wearing the most wonderful suit and I wanted so to touch his sleeve), winning 25 pounds of glass at the raffle, overhearing Shug Jones sing her famous birthday song to some lucky (or unlucky) girl, meeting the most interesting and funny girl with green hair and a nose ring.

It’s not difficult for me to pinpoint what is my favorite thing about the conference.  Although I certainly have a big time at the Vendor Marketplace every year, and I love the silent auction and the art exhibits and the raffle, the best part of the whole week is just being close to those friends whom I have come to know and love through SAMA.  We talk about art and life and stay up late into the night, often laughing until we cry.  We can sleep when SAMA is over and we go home.

 

"Shasta" by Jenny Perry

“Shasta” , 14″x 14″. Mexican smalti, 2010
by Jenny Perry

I love going to the conference so much that if I found myself penniless, I believe I might consider selling a kidney in order to pay for my trip.  Wandering into the hotel bar that first year, not knowing a soul, I never imagined that the next year and every year after it would be almost like Cheers. Everyone is always so happy to see each other again, hugs and laughter everywhere. It’s kind of like coming home.

 

 

 

 

 

 

 

 

Bio-

Jenny Perry makes art and teaches workshops in her funky and cool studio in tiny downtown Frederick, Oklahoma. She has a million ideas and wishes there were more hours in the day.

 

Jenny Perry

 

 

Permanent link to this article: http://www.americanmosaics.org/wp/index.php/?p=2996

Why I’m a SAMA Member :: Nikki Sullivan

Thoughts on SAMA

by Nikki Sullivan, Moosup, Conneticut,  sullivancreativeworkshop.com

My interest in mosaics started shortly after I inherited a mosaic coffee table that my grandmother made in the early 60’s.  I had seen this table my whole life – in my grandmother’s home, then my parents, and finally it came to me in 2004.  It sat in my living room for months, giving me time to study its beauty without plants or pottery or magazines obscuring the surface.  Finally, I decided – why shouldn’t I be able to do this?

I made my first mosaic stepping stone in a four-hour class at a local stained glass studio.  It was terrible, but it got the mosaic ball rolling in my brain.  So I bought some materials, made some stuff, bought some books online, and became particularly fond of Sonia King’s book, MOSAIC Techniques and Traditions I studied every mosaic in it.

In my online searches for anything mosaic, I discovered SAMA and the conferences.  To my delight, I found that Sonia would be teaching at the 2007 SAMA conference in Mesa, AZ.  I dreamed of going but hey, I had two toddlers at home – how the heck was I going to do that?  Then, I discovered that sometimes my husband really does listen to me.

He surprised me that Christmas with a gift that will last a lifetime, a SAMA membership, a round trip ticket to Phoenix, AND he even registered me in Sonia King’s workshop.  I couldn’t believe it.  This man must really love me!

When the time came to leave, I hugged my kids and boarded the plane to Phoenix. Because I stayed with family, I didn’t get the whole SAMA experience, but I met a few people and very much enjoyed Sonia’s class.  I learned a lot and still have the notes I took.  Returning home with my small bag of supplies from the vendor marketplace and all that inspiration, I was ready to get serious.  I transformed a portion of my basement into a more professional studio and it became my favorite spot in the house.

Of course, my husband didn’t know the mosaic monster he had created and how I wanted MORE SAMA conferences.  In 2008, I traveled to the Miami conference with new local mosaic friend and amazing artist, Deb Aldo.  We shared a hotel room and the experience of staying at the conference was so much better because I had the opportunity to meet many more mosaic artists.

This time, I took Matteo Randi’s hammer & hardie workshop which taught me a lot about a totally new technique.  A hammer & hardie was put on order as soon as I got home.  I also took a critique workshop with British artist, Martin Cheek.   It was refreshing to hear a pro’s comments and advice on my work.  When I volunteered to help out with the conference, I found it gave me the opportunity to meet more people.  I even sold my piece at the Mosaic Art Salon!   Once again, I came home with a bundle of inspiration and supplies from the awesome vendor marketplace. I couldn’t wait to get to work.

2009 was family vacation year and I unfortunately missed San Diego.  But I made up for it with a whopping good time at the 2010 conference in Chicago!  Wow, what a city! I fell in love with it.  Deb had recently introduced me to the fabulous Connecticut mosaic artist Gwen Basilica.   We all shared a room at the beautiful Palmer House Hilton.  Traveling  together was fun – we saw beautiful sites, shared lots of laughs, had delicious food at every meal, and even took the amazing Verdiano Marzi workshop together.  What a mind blowing experience.  Just being at the Chicago Mosaic School was a thrill in itself.  I learned a lot from Mr. Marzi, a true mosaic genius whose work I admire very much, and hope to take more workshops with him in the future.

The conference definitely did not disappoint. There were great, inspiring lectures and I had the opportunity to once again show my work next to spectacular mosaic works at the Mosaic Art Salon.  I met so many artists who are now friends – it was the best conference yet!  I think I left a piece of my heart in Chicago and also left an extra $50 to Southwest Airlines for the amount of stone in my suitcase after another wallet breaking vendor show.   I came home with so much creative inspiration and material, I just couldn’t wait to get in my studio!

2011 brought my two fun-lovin’ roommates and me to the Austin, Texas conference and another great new fun city to explore.  It was great to see all the mosaic friends I had made at the previous conferences, plus to meet even more.  My husband can’t believe I went to Texas and didn’t eat any BBQ!

This time, I was fortunate enough to take a workshop with Giulio Menossi. It was a huge step away from anything I had ever experienced. And it was hard!   Through all my struggles though, I was grateful to learn something new.  While I didn’t get to work on the mosaic marathon, I kept popping in to see their wonderful work and progress.  The Mosaic Art Salon was one of the biggest and best yet – so much beautiful artwork to see and have the opportunity to own!  And the vendor marketplace…I wanted it all!   But I took what I could and actually fit it into my suitcase this time (and in the extra luggage I brought with me).

Of all the wonderful things I love about the SAMA conferences, one of my favorites is the fabulous MAI Exhibition.   The caliber of work exhibited is so impressive, it inspires me to do better with each piece I create in the hopes that I will feel comfortable enough to even apply for such an honor, never mind hope to be accepted.  I drool over previous exhibition catalogs, studying each piece, its materials, and the placement of tesserae, while trying to learn what made it catch the eyes of the exhibition jurors.  Someday, I hope to have my work hanging in such an incredible show.

The Great Divide by Nikki Sullivan

“The Great Divide” by Nikki Sullivan

SAMA and its conferences have given me confidence to take pride in my work.  It has taught me to try harder, learn more, accept mistakes, and not be frightened of the unknown.   I’ve learned to try something new and Improve the skills I already have. For weeks after returning home from a conference, I am filled with ideas swimming in my head, even in my dreams.  I have started to sketch all these ideas so I can remember them.

Attending SAMA conferences have given me the opportunity to visit places I’ve never been.  And most importantly, it has given me a whole new world of friends…friends who share the same passion for mosaics as I do.  So I was very disappointed that I didn’t make it to the Kentucky conference.  I was thinking of you all as it commenced and wished I were there to gain more knowledge from the pros, gather more inspiration from the artwork shown, and see my mosaic buds.   But I am planning on going to Tacoma and I’m keeping up with SAMA happenings on the website, which I check into often.   I hope to see you there!

 

Nikki Sullivan is a mosaic artist who works from her home studio in North Eastern, CT. Her work has been featured in galleries and exhibits from Boston to North Carolina. When not cutting glass in her studio, she is mom to two young boys, wife to a supportive husband and buddy to Hank the dog.

Permanent link to this article: http://www.americanmosaics.org/wp/index.php/?p=2803

Why I’m a SAMA Member :: Erin Pankratz-Smith

A Dream Realized

by Erin Pankratz-Smith, Edmonton, Alberta, CANADA, erinpankratz.com

Commissioned work by Erin Pankratz-Smith

Commissioned work by Erin Pankratz-Smith

I found SAMA early in it’s inception but I was busy raising small children so I didn’t become more involved until a few years later when my husband and I started up a website selling mosaic tiles in Canada. For 10 years I dreamed of going to the conferences but it wasn’t a possibility until 2011 in Austin. It was there I was inspired by the artists talking about their amazing large projects and the stories they told about creating them. I salivated at the thought of doing my own large public piece and as I sat in front of the big ballroom with eager eyes, it occurred to me, “I could do that!” So when I came back to Edmonton I started talking about wanting to do a big mosaic project and the opportunity came fairly quickly, just a couple of months after the conference. I now have a 436 sf mosaic mural in the American departures area of the Edmonton International Airport.

Erin Pankratz-Smith and Jeremy Smith

Erin Pankratz-Smith and Jeremy Smith

Originally I became a member of SAMA for a couple of different reasons. I wanted to have access to accurate information about mosaics and where to get materials, secondly to let people know I was also selling tiles up here in Canada. It has been the amazing people I have met that has kept me coming back. I have built strong friendships with people I would never have had the opportunity to meet. I have also had mentoring from some amazing, accomplished artists and that has been incalculably dear to me.

There is something for everyone in SAMA. For me it has been the opportunity to meet some like minded people. To hang out with others who have to curb their desire to lick glass and stone just because it looks so delicious… or not! Generally I find mosaic people very open and sharing and earnest. Good people. Fun people!

Erin Pankratz-Smith lives in Edmonton, Canada with her husband and 3 children and is selling off the left over tile stock from Oddly Enough Mosaics to purely pursue artistic endeavours in mosaic and otherwise. erinepankratz@gmail.com website under construction.

Watch this time lapse video of the installation of Erin’s project at the Edmonton International Airport.

Permanent link to this article: http://www.americanmosaics.org/wp/index.php/?p=2633

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